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THE PEOPLE OF
ZAMBIA
Zambia has one of the lowest population to
land ratios in Africa. Only 10 million people in a country half the size of Europe.
The employment opportunities offered in the post independence era in the copper mines and
associated industries led to a strong rural-urban migration. The result has been to make
Zambia one of the most urbanised countries in Africa. About one fifth of the population
lives on the Copperbelt to the north of the capital, but the biggest concentration of
people is in Lusaka itself with an estimated population of over 2 million. This has
resulted in massive tracts of uninhabited land across the country.
Culture
Zambias contemporary culture is a blend
of values, norms, material and spiritual traditions of more than 70 ethnically diverse
people. Most of the tribes of Zambia moved into the area in a series of migratory waves a
few centuries ago. They grew in numbers and many travelled in search of establishing new
kingdoms, farming land and pastures.
Before the colonial period, the region now known as Zambia was the home of a number of
free states. Each having comprehensive economic links with each other and the outside
world along trade routes to the east and west coast of Africa. The main exports were
copper, ivory and slaves in exchange for textiles, jewellery, salt and hardware.
During the colonial period, the process of industrialisation and urbanisation saw
ethnically different people brought together by economic interests. This, as well as the
very definite influence of western standards, generated a new culture without conscious
effort of politically determined guidelines.
Many of the rural inhabitants however, have retained their indigenous and traditional
customs and values. After Independence in 1964, the government recognised the role culture
was to play in the overall development of a new nation and began to explore the question
of a National identity.
Institutions to protect and promote Zambias culture were created, including the
National Heritage Conservation Commission. Private museums were also founded and cultural
villages were established to promote the expression of artistic talents.
See
Seka
Educational Theatre
Ngoni Dance Group
Insombo-Malimba
Music
and Dance
Quiet beauty, bustle, bounding
life or brimming joy characterise many aspects of music and dance in Zambia. Emphasis
varies from breathless acrobatic spectacle amid propulsive drumming to fine subtleties of
sound and movement.
Many traditional instruments are still played throughout the country,
although the desire for western instruments increases. The more common ones are the hand
piano, a small instrument with iron keys mounted on a rectangular box and plucked by both
thumbs. Or the silimba, a xylophone type instrument with a range of flat wooden keys
mounted over gourds. The most common of course is the drum and drumming plays an important
part of rituals, ceremonies, celebrations and community communication.
Dance is an important part of musical expression among Africans and along with the ideas
they express, serve as reflectors of life and thought over the centuries - of times of
turmoil and peace, tension and confidence, retreat and advance, conquest and defeat.
The influence of the west and the rest of Africa is well entrenched in music tastes of the
current generation in Zambia. In the big towns, night clubs and shebeens belt the sounds
of Kwela and rumba and many local bands play to the increasingly westernised youth.
Arts
& Crafts
Zambias diverse cultures bring with
them a wide variety of traditional skills. Crafts can be found in great variety if not in
abundance and among them is some of the finest basketry in Africa.
The economy of most of the crafts people is based on fishing, cattle or the cultivation of
crops. Craftwork is often done seasonally to supplement the incomes of many families. It
was originally intended for barter and made according to the needs of other villagers. To
many, especially the subsistence farmers, craftwork is their only means of earning cash.
Traditionally made pots and baskets in the
more populated areas however, are being replaced by commercially manufactured utility
items made of plastic or tin. A large part of the new generation are losing these
traditional skills because of a lessening demand and others have begun to make more modern
items like lampshades, shopping and laundry baskets and furniture.
Fortunately there are organisations such as
Zintu Handicrafts in Lusaka, the Nayuma Museum in Mongu, the Tonga Museum in Choma and the
Moto Moto Museum in Mbala, which aim to stimulate the production of quality craftwork both
in traditional forms and where craftwork is a contemporary expression of art.
Basketry, practised by both the men and the
women is widespread. The many forms and raw materials used reflect the environment in
which they are made: bamboo, liana vines, roots, reeds, grasses, rushes, papyrus palm
leaves, bark and sisal. They are decorated with symbolic designs using traditional dyes
made from different coloured soils, roots, bark and leaves. The variety of uses for
basketry is wide; carrying and storage, fishing traps, beer strainers, flour sieves,
sleeping and eating mats and a variety of tableware. The Lozi and Mbunda people in the
Western Province are particularly skilled in this field.
It is the men that usually do the woodwork and carving and produce canoes, furniture,
walking sticks, utensils and food bowls as well as masks, drums and a variety of animal
forms. The potters are usually, though not always women who work the clay and then fire
them on open fires or pits.
For a look at a local artists
pictures visit Enock Ilunga's
web site.
Urban Life
The principle urban centres, Lusaka,
Livingstone and the towns on the Copperbelt are where most of the rural people head when
they make the decision to leave their villages. The transition may not be an easy one,
especially as the motivation is to find work and very often they are disappointed. The
impact on the cities has been immense. A ring of shanty towns around the peripheries, with
no electricity or adequate sanitation increases both disease and crime. But the shanties
are filled with a people who have made a fine art out of surviving with very little. Home
industries spring up everywhere from tailors, cobblers, vegetable sellers, money
exchangers, to hundreds of walking salesmen selling anything from frying pans, electric
plugs and batteries to fruit, vegetables and nuts. The unemployment figure is currently
about 60%.
But despite the dirt and discomfort of the
city, the allure is still powerful. The countryside may be healthier, more open and free,
but to many of the rural young, it is monotonous compared with the action and energy of
the big city. The massive markets that have developed are a world within a world in the
cities. Thousands of little wooden stalls crammed together selling a wide variety of goods
in an endless shanty shopping mall. The mood in the markets is very lively, serving as a
social meeting place as well.
The
impact on rural villages will have long term detrimental effects as it is
mostly young men under 25 that leave, leaving the women folk to raise
children, tend to the fields and eke out a living by themselves, since
little money is made in the cities so little is ever sent back. Fewer
traditional farmers are making a living by agriculture and crop output for
the nation is reducing as a consequence.
Zambia faces an enormous challenge to cope
with this trend, not only to lure people back to the country to cultivate the land, but to
ensure the people who wont leave the cities, are gainfully employed.
There is also a burgeoning well
educated middle and wealthy class, white collar workers and entrepreneurs.
Many women are in management positions or have their own companies and
several are in government.
Rural
Life

Africas economy, before Europeans
arrived was essentially a rural one. Fishing, hunting and agriculture were the means of
survival and because numbers were small, these activities were viable. With the increase
in community sizes and the lure of the cities, rural life has undergone fundamental
changes. Most villages are dominated by women who now have to depend on their own
ingenuity to generate cash to support their many children and very often their elders.
Adulthood comes at an early age to rural
children, especially the girls. Few manage to start school before ten and only five years
later they are considered adults with all the attendant responsibilities of marriage,
child rearing and tending to crops. Only a small percentage of children finish primary
school due to the high cost of uniforms, books and various school funds which parents must
contribute. Usually a woman will have between 6 and 12 children and the cost of schooling
for all of them is usually out of their reach. The desire to have many children still
remains, even with the attendant hardships. The idea of long term insurance overwhelms the
sacrifices.

Traditional healers play an important role in
health care and almost every village will have a knowledgeable person who takes care of
the ill with herbal and plant remedies.
Different tribes have differing village
styles, some build their houses from mud and thatch, others burn bricks and build square
houses which they paint with individual patterns. Usually long distances must be walked to
fetch water and wood for fuel.
But although life is hard in these remote
villages, they are by no means unhappy. Pleasure is taken in simple things and problems
are shared. Daily chores are done in groups and often become social occasions. Everyone
contributes to weddings and funerals otherwise they would not be affordable. There are no
invitations and anybody in the village is welcome to join in.
Customs
Many of the tribal customs are only still
practised in the rural areas as the urbanised youth aspire to Western behaviour.
A greeting is always exchanged before any
conversation. If a person approaches you, you should always offer the first greeting. A
man should withhold his hand in greeting until the woman offers hers. Gifts are often
offered to a visitor as a sign of honour, friendship or gratitude. One should never refuse
a gift and accept it with both hands at the same time expressing thanks.
Lobola the bride price is still
widely practised and is a token of appreciation to the parents of the girl. In most
tribes, the bride is taken to the mans village the evening before the wedding. Large
quantities of food are prepared and home made beer is brewed to celebrate the marriage.
The whole village attends and much singing dancing and drumming takes place, usually over
two or three days. Afterwards, the elders council the bride and groom on the preservation
of marriage. The bride is not supposed to cook until after the in-laws introduce her to
the pots and fire.
Funerals are also big occasions in the
villages. Everyone clubs together to help pay the expenses. Grief is shown through wailing
singing and dancing and becomes quite an emotional affair. During the mourning period
women and men separate, the men staying outside and the women in the house of the
deceased. After long speeches about the departed friend and thanks for the donations, the
whole village walks to the place of burial to pay their last respects.
Health
and Education
The government has a policy of universal free
primary education and health care. Health facilities however are grossly inadequate with
only half the required doctors needed to service the population.
Some 95% of primary school age children are
enrolled at schools with 20% continuing to secondary level and 2% of the 20 - 24 age group
in tertiary level. Illiteracy is only 27% but the drop out rate at schools is very high.
In rural areas, the standard of education is hampered by lack of facilities, transport and
teachers.
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